All posts by Redscroll Records

Spotlight: Female

Spotlight: Female 
Female is a  musical project based in New Haven, CT. The project is the baby of Michael Donahue. It is dark pop easily relate-able to the recent resurgence of interest in the minimal wave sound (though as you’ll read below Female would not like to be painted into that corner). Female has played a good amount of shows (like this one we did last year with Iceage) and I can tell you that while all enjoyable they are never predictable; not to say that you won’t have some idea from listening to the music, but more that you don’t know exactly which direction it will take that given night. With a wealth of material readily available for anyone with an internet connection and a set of speakers to listen to Female shows no signs of slowing down (many links to follow). I’ve (Rick) done a concise interview with Michael (videos and links aplenty within it).
[begin interview/]
Rick: Let’s give a quick introduction to the uninitiated about Female. Generally, when asked, I tell people it’s an adventurous minimal wave project. What do you tell people before they even hear your music? 
MD:  I usually just tell people that i make pop music; although I tend to veer off into some other territory, at the core my songs follow classic pop structures. Melody, the hook, the buildup, and the release. In my opinion, the recent re-discovery of minimal wave and NDW, albeit exciting, has limited potential for growth. Sometimes i can even pigeon hole myself worrying about these labels. I used to think that production quality somehow influenced genre, but no longer. Pop is pop. Just look at R. Stevie

 

Rick: You’ve got a lot of output and most of it can be found at http://freemusicarchive.org/music/Female/. Is Female your only musical outlet? If there are others could you give a brief explanation of each. Do you see the output of Female slowing down (for other projects or any other reason at all)?
MD: I currently make music under Female, Milk Collection, the Wolfs, and Moon Bath. Milk Collection is a vehicle is use for less structured sounds, heavily influenced by an obsession with horror soundtracks. It began as a tribute project to the black metal duo Aghast. The Wolfs is a solo punk project where most of the songs are about staying up too late. There’s a li’l five tracker coming out in March. Moon Bath, is a project made up of myself and Allison Kern from the band 2TonBug. Its mainly a video project. We start with the intention of making music, but then usually end up doing glamorous photo-shoots and making music videos. She directed and edited the “Dreemer” video and we have a second video (for “Time Erasur”) coming out soon [editor note: embedded below!].  As for Female, I see no slowing down. Its my baby.

 
Rick: Female has limited output on physical media – could you give a physical discography? With free releases and physical releases do you find yourself having a different approach to their releases? Do you have more of a filtering process to see what might make the cut on a physical format?  And do you have any plans or desire to release more physical music?
MD: For Female releases the physical ones were put out on a little label I had called Filth Forever. First was “Worms”, which was mostly tape collage with short vignettes about boredom. After that I put out a more song based album called “Frozn Infent.” Both were editions of 30 with the bulk of them given away to close friends. The next two; “Trash Queen” and “Mold Donor” were the first two I started selling at shows. After those were all gone I put them up on the FMA. There’s a collab tape with Supernaturelle (now Beeman Glow) floating around out there too. (I think there’s some copies left at Feeding Tube). Other than those, the rest of my albums are for free. The main reason I do this is for financial restraints. Putting out tapes or records yourself is insanely expensive and time consuming. And although I’m very particular about the production quality of my albums, I’m not at all an audiophile, and I see no problem with mp3 downloads as a means to get my music out there.

Secondly, I hate the whole “send in the demo, wait around with fingers crossed, hope someone gives a shit” routine. Its not that im against physical formats, I just think that artists tend to rely on them too much, as some sort of strange vindication. I would love to have records out for people to buy, but I feel the demo submission process can be a bit demeaning. Don’t get me wrong, independent labels are the saviours of music, I just think that artists shouldn’t rely so much on their acceptance. Lastly, I love the internet. With sites like the FMA its a great way to not only get your music out there, but also to get radio play on WFMU (best station ever [editor note: I wholeheartedly do not disagree with this.]), and connect with other artists. 

  
As far as what makes it to a physical release vs. a free download, there’s no difference for me. Whether or not the music is on a physical format should have no bearing on the quality. Some artists make that distinction and i think its not fair to the listener, due to the idea that in order the hear “the good stuff’, you have to pay for it.

Rick: Describe how your physical environment (New Haven, your personal space, your day-to-day/night-to-night) effects your musical output in brief? Do you find yourself ever having an agenda with your music or do you find it just to be a release (or something in the middle)?
MD: My environment has everything to do with the music. I love New Haven with all my heart. Seeing the super poor right next to the super rich can be depressing at times, but it can also do a lot for creativity. Living here has really taught me that no matter what your bracket, we all have an obsession with technology. Everyone wants to be glamorous, or at least appear to be. The nightlife here is really bizarre, which is great for me because i usually sleep during the day and am up all night. Everything closes relatively early, so things get weird after 11. My living space also has a lot to do with how I write music. I live in a very small room in this big wierd old house thats very dimly lit and almost always a mess, and I think my music reflects that vibe. Its easy to hide in my cave and work.
My music definitely has an agenda, but not outwardly. The aesthetic is very apparent, but i try to keep any meaning to myself. Most of my songs are about reptilians, technology, and gender, but i dont want to alienate any of my listeners. I’m not trying to persuade anyone to follow my beliefs about these topics, and thats why I’ve never included lyrics in any of my releases. Its not that I’m trying to be secretive or mysterious. If someone where to approach me asking what a song was about, I would gladly tell them. I just think that too often the message can get in the way of truly enjoying the music. With that said, every album I make does have a specific vibe throughout. I’ve always been obsessed with the idea of “the album” as one complete package. I dont want people to hear my tracks out of context. I know that’s pretty idealistic, but I make all my songs with continuity and flow in mind.

13th of January 2012 Update

13th of January 2012 Update of New and Key Restocked Items
at Redscroll Records

LPs & 12″s
______________________
AC/DC    “From The Vaults (Unofficial)”
Algernon Cadwallader    “Parrot Flies”
Amebix    “Knights Of The Black Sun”
Antisect    “In Darkness, There Is No Choice.”
Aus Rotten    “The Rotten Agenda”
Bass Communion     “Cenotaph”
Big Star    “3RD”
Big Star    “Radio City”
Breakdown    “Blacklisted”
Cage, John / Fox, Terry (John Cage & Terry Fox)    “HIGHFIDELITY (High Fidelity; Artists’ Records In The Marzona Collection)”
Cave, Nick And The Bad Seeds    “Nick Cave & The Bad Seeds: Ritz Stockholm, April 23, 1987 (Unofficial)”
Church Of Synth, The    “The Church Of Synth (+ D/L With Bonus Material)”
Cidron, Juan Manuel    “Patagon (Ltd. Ed. /500; Inner Sleeve With Text & Photo)”
Cooper, Alice    “Asesino (Unofficial)”
Cough & The Wounded Kings    “An Introduction To The Black Arts (Gatefold)”
Cut Hands    “Afro Noise 1: Volume 1 “
Doors, The    “Live In Pittsburgh Civic Arena May 2, 1970 (Unofficial)”
Dylan, Bob    “Good As I Been To You (Unofficial)”
Electric Wizard    “Electric Wizard (Gatefold)”
Ericson, Roky (Roky Erickson)    “”Outtakes From” All That May Do My Rhyme”, Arlyn Studios, Austin, Tx., October 1993 – April 1994; Live With The Aliens December 9, 1975, River City, Fairfax, California (Unofficial)”
Esplendor Geometrico    Desarrollos Geometricos (Ltd. Ed. /700; Includes Exclusive Tracks)”
Exodus    “Bonded By Blood”
Haack, Bruce / Miss Nelson    “The Way Out”
Haack, Bruce / Miss Nelson    “The Electronic Record For Children”
Hank III (Hank Williams III)    “Live & In Person With His Damn Band (Recorded Live In St. Petersburg, Florida, US, Oct 22 – 2006)”
Harvey, PJ    “The Peel Sessions 1991-2004 (A BBC Recording)”
Hellacopters, The    “Supershitty To The Max! (Unofficial)”
Hello Fever    “Broken Lines (Debut Full Length)”
Killing Joke    “Extremeties, Dirt, And Various Expressed Emotions (Reissue, Gatefold 2LP)”
Kim Phuc    “Copsucker”
Louvin Brothers    “Tragic Songs Of Life”
McDowell, Fred    “The Alan Lomax Recordings”
Memory As Perfection / Scent Of Human History    “Memory As Perfection / Scent Of Human History”
Mutemath    “Odd Soul”
Neutral Milk Hotel    “Neutral Milk Hotel: NMH Vinyl Box Set”
Sewer Election    “Vittra Sonder”
Thursday    “No Devolucion”
Transit    “Keep This To Yourself”
Tyme. X Tujiko    “GYU”
Various Artists    “Soul Safari Presents Township Jive & Kwela Jazz (1940-1960)”
Various Artists    “Subway Salsa: The Montuno Records Story (Record Mart)”
Venice Dawn (Adrian Younge Presents)    “Something About April”
Young, Neil    “Eldorado”

Hip-Hop LPs & 12″s
______________________
Black And Brown    “Black And Brown! Instrumentals”
Blu & Exile    “Below The Heavens: In Hell Happy With Your New Imaginary Friend (Ltd. Ed. Hand Numbered Gatefold 2LP)”
J-88 (Slum Village)    “Best Kept Secret (Produced By Jay Dee / Remixes By Madlib)”
K-Def    “Night Shift”
Madvillain    “Madvilliany Instrumentals”

Electronic 12″s & LPs
______________________
Borderline    “Borderline”
Gesaffelstein    “Conspiracy Pt. II”
Hey Today!    “Talk To Me”
Hulkkonen, Jori    “SWOT”
Instinct / Killa & Instinct    “Revolt / Drones Mix”
Kowton V Dusk    “Kowton V Dusk EP”
MIKEQ (Mike Q)    “Let It All Out”
Modeselektor     “Evil Twin (Pic)”
Motor City Drum Ensemble    “Basement L.O.V.E. (DJ-Kicks)”
Ollivierra, Tony    “Nangka EP”
Sei A     “Lazers”
Seiji    “Seiji5: Frustratin / Face Up”
T.O.M. Project    “Renaissance”
Telemachus    “The Sheltering Sky”
Terror Danjah    “U Make”
Twilite Tone, The    “Mean Machine”
Various Artists    “5 Years Compilation (Part Five) “
Various Artists    “5 Years Compilation (Part Four)”
Villa Nah    “Midnight Versions”

7″s
______________________
Acephalix    “Acephalix”
Against Me!    “Crime As Forgiven By”
Armalite    “Humungous”
Astaroth    “Satanispiritus”
Bare Wires    “Don’t Ever Change”
Big Troubles    “She Smiles For Pictures”
Brain F    “Restraining Order”
Brain F    “So Dim”
Caustic Christ    “No Love”
Cheap Girls / Noise By Numbers    “My Wandering Days Are Over / Between Planets”
Chimp Beams / Marter & Yony    “Lumber / Level 13”
Curmudgeon    “Human Ouroboros”
Cvlts / Virgin Spirit    “Time Debt / Bathed in White”
Discharge    “State Violence State Control”
Discharge    “Realities Of War”
Discharge    “Never Again”
Discharge    “Fight Back”
Discharge    “Decontrol”
Dive    “Human / Big Joke”
Dwarves / Riptides    “Stillborn In The USA”
Evens    “Evens”
Fatal Birth    “Fatal Birth”
Fireworks    “Bonfires”
Girls    “Lawrence (Heartshaped)”
Heavenly Beat    “Faithless”
Joy Division    “An Ideal For Living”
Kidcrash / L’Antietam    “Heavy Nugs And Heady Chugs”
Medicine    “Time Baby 2 / Miss Drugstore”
Mugwumps    “Do Time With”
No Sir    “Holy Land”
Queers / Riptides    “Buy It You Scum”
Self Defense Family    “I’m Going Through Some Shit”
Single Spy, Thee    “Ok Corral / In Clay. In Cloud”
Speak & The Spells    “She’s Dead / Brianna / Caleb Pink”
SSSSnakes / Slow Death    “SSSSnakes / Slow Death”
Trash Talk    “Shame”

CDs
______________________
Bastard Noise “Our Earth’s Blood” (5xCD)
Ernest Gonzales “Natural Traits”
Andrew Liles “Long Shadows”
Scar Symmetry “Pitch Black”
Tombs “Path Of Totality”

Books
______________________
The Primal Screamer

Reviews
______________________


Bringers of Disease Gospel of Pestilence
CD

 
(Translation Loss / Waylon Recordings)
The members of this Dayton, Ohio metal quintet came together from varying backgrounds, including Mouth of the Architect’s post-metal and Acheron’s straightforward death/black/thrash metal. The latter style is the primary influence audible on this EP. They deliver what one should expect from the genres: screamed vocals, aggressive blast-beats, chords with tremolo picking, and an unmistakable sense of despair throughout. “Doomed To Flames” kicks right into action with high-speed rage, followed by the even more-downtrodden “Your Prayers Remain Unheard;” it starts with a slower, doom-influenced sound, before launching back into intervals with speed ranging from medium to blisteringly fast. “Our Final Reward In Hell” strikes a good balance between the white-hot aggression of the opening track and the more-subdued parts of the second, managing to pull off the record’s most memorable hooks. Closing track “A Plague To End All Plagues” is the longest, trudging through one final wasteland of doom, with an abrupt and brief return to speed halfway through.
[Reviewer: Mark]

Cut Hands Afro Noise 1 Volume 1 LP

(A Dirter Release)
Cut Hands is William Bennett’s (Whitehouse) self described and album titled afro noise project. Volume 1 and Volume 2 are being released currently (we should have vol. 2 shortly) and they are collections of this projects work to this point. Truthfully, it’s not all that noisey considering his past works. It’s welcome. It’s jungle sci-fi soundtrack-type music. Polyrhythms and stabs of dissonance definitely make it more noisey than Fela Kuti for instance and these are not pieces meant for easy digestion by someone looking for afro-funk.  There is no funk here. There is however a mean beat with some meaner instrumentation (non-instrumentation). Foetus might come to mind without the whimsy and plus more afrocentric bases. So, while you won’t find this as the soundtrack to the Venture Brothers (I don’t think it’s a good fit like Foetus is) you might soon find it in an early-John-Carpenter-like jungle sci-fi action adventure movie. Let that movie play in your head.
[Reviewer: Rick]

6th Of January 2012 Update

6th Of January 2012 Update of New and Key Restocked Items
at Redscroll Records

Happy new year, all! 1st update of the new year; a new year that will hold many more along with some other exciting news down the line.  We made the same promise last year and think we held up our end. Let’s do it again.

LPs & 12″s
______________________
Apparat    “The Devil’s Walk”
Bird, Andrew    “Norman (O.S.T.)”
Blind Lemon Jefferson    “How Long, How Long Lasting Love”
Deathcharge    “Love Was Born To An Early Death”
Drastus    “Serpent’s Chalice-Materia Prima”
Elliott    “US Songs “
Great Big Pile Of Leaves    “Boom!”
Guided By Voices    “Let’s Go Eat The Factory (+D/L)”
K-Def    “Night Shift”
K. Frimpong & His Cubano Fiestas    “Rare Afro-Funk & Highlife: Ghana 1976”
Law, The    “None Escape”
Madvillain    “Madvilliany Instrumentals”
Morphine    “Cure For Pain”
Phantogram    “Nightlife”
Reuerorum Ib Malacht + Dodfodd    “URKAOS (2LP Gatefold + CD)”
Sleeping Bag    “Sleeping Bag”
Superlife    “Go Bananas (2×12″)”
Sureshot Symphony Solution, The & Friends    “A Good Look EP / Vocal”
Various Artists    “La Onda Vampi”
Various Artists    “Psych-Out Original Motion Picture Soundtrack”
Weapon    “From The Devil’s Tomb (2LP Gatefold)”
Winderen, Jana    “Debris”
Winged Victory For The Sullen, A    “A Winged Victory For The Sullen”

10″s
______________________
Funereal Presence (Negative Plane Side Project)    “Funereal Presence”
Robinson, Chris (The Chris Robinson Brotherhood; Re: Black Crowes)    “The Chris Robinson Brotherhood”
TEETH    “Swarm Part Two”

CDs
______________________
Blut Aus Nord “777 – Desancti…”
Cramps “Sacred Music”
House Of Low Culture “Soil”
Insomnium “One For Sorrow”
Midnight “Satanic Royalty”
Moss “Tombs Of The Blind”
Perry, Lee “Nu Sound”
Sloth “A Whole Other World Of…”
Stott, Andy “Unknown Exception”
Winehouse, Amy “Back to Black”

Cassettes
______________________
59 Times The Pain
Bodyjar
Engine Kid “Angel Wings”
Engine Kid / Iceburn
Farside “Rigged”
Farside
No Fun At All
Sensefield “Building”
Sensefield “Killed For Less”
Sensefield
Shades Apart “Save It”
Shades Apart “Seeing Things”
Smile
Texas Is The Reason “Do You Know Who You Are?”
Texas Is The Reason
Iceburn “Heph…”
Whirpool “Liquid”
Whirpool

Reviews
_______________________

Crisis Hymns Of Faith LP (Reissue)
(La Vida Es Un Mus)
This is a reissued LP by a well enough known band that includes Douglas P. (Pre-Death In June). Post punk a la Joy Division or Wire or Television (which is a fun coincidence because the first song on here is “On T.V.”) or a bunch of other bands you can lump into this huge category of snotty brit-rock from the 70s and 80s. This is a repress that stays true to the original with the identical sleeve (with a different record label imprint being the notable difference) and with a black and white glossy insert with band pic on one side and a collage of pictures, written words and newspaper clippings on the other. I really feel like that’s all I need to write about this so yea, good record that I’m glad we now carry.
[Reviewer: Rick]

Spectrals Bad Penny CD/LP

(Slumberland Records)
Though it may sound like the work of a full band, Spectrals is a project from 21-year-old Louis Jones of Yorkshire, England – he wrote and provided vocals for all of the songs, and also played 9 of the 12 instruments featured. “Nostalgic” is a fitting descriptor for his brand of indie-pop-rock – he settles on a blend influenced by the 50s and 60s, with structures reminiscent of early rock ‘n’ roll and doo-wop, as well as guitars and synth creating a surf rock-vibe. Though the record does have a pretty comfortable “pop” element throughout, he isn’t afraid to be somber; his love life is a recurring theme, with topics such as the fear of settling down and “missing the chase” (Doing Time.) He also reflects by saying “love isn’t love until it hurts” (If I Think About The Magic Will It Go Away?) His vocal delivery is mellow throughout, making him sound quite content and experienced when it comes to dealing with romantic problems that could be gut-wrenching to others. On this record, he reaches a good balance between sounding true to the era he represents and being well-produced enough to be accessible to a wide audience.
[Reviewer: Mark]

30th Of December 2011 Update

30th Of December 2011 Update of New and Key Restocked Items
at Redscroll Records

Have a safe and happy new year!

We are closing early tomorrow/Saturday (12-31-11) at 6PM.

LPs & 12″s
______________________
Burial Hex    “In Psychic Defense (Single Sided 12″)”
Burzum    “From The Depths Of Darkness (180 Gram Ltd. Ed. Coloured Vinyl)”
Dashboard Confessional    “The Shade Of Poison Trees (Ltd. Ed. Color Vinyl)”
Death    “Leprosy (180 Gram Ltd. Ed. Coloured Vinyl)”
DJ Rashad & DJ Spinn / RP Boo    “DJ Rashad & DJ Spinn Meet Tsetsha Boys / RP Boo Meets Shangaan Electro”
Farflung    “A Wound In Eternity (Gatefold)”
Fruit Bats    “Echolocation (+ D/L)”
Give Up The Ghost    “Background Music (+ D/L 2011 Reissue)”
Give Up The Ghost    “We’re Down Til We’re Underground (+ D/L 2011 Reissue)”
Guilty Pleasures    “Summer Strange (Legendary “Lost” Album Recorded In 2000)”
Hammering The Cramps    “Hammering The Cramps”
Head on Electric    “Sleep Slaughter Sheep”
Headphones    “Headphones (Red Vinyl /1000 + D/L)”
High Dive     “High Dive”
London Diehards    “There’s Lies, Damn Lies And There’s…”
Lykke Li    “Youth Novels (2LP)”
OCS (Thee Oh Sees)    “Songs About Death & Dying Vol. 3 (Screen Printed Sleeves /700)”
Prince    Dance 4 Me (12″ Single With Remixes)”
Rise And Fall    “Hellmouth”
Samb, Herve & Daniel Moreno    “Kharit (2LP)”
Six Organs Of Admittance    “The Sun Awakens”
Stoned Ambassadors, The    “Bring You Down”
Teenage Moods    “Mood Ring (/300)”
Various Artists    “Thai Funk Volume One (2LP 70s Thai Funk + D/L With Bonus Material)”
Various Artists    “Thai Funk Volume Two (2LP Thai Funk + D/L With Bonus Material)”
Various Artists    “Lost Highway Tenth Anniversary (10 Standout Tracks From Ryan Adams, Lucinda \Williams, Hank Williams, …)”

Electronic LPs & 12″s
______________________
Ateq    “Res”
Blawan    “Fram / Iddy”
Bok Bok & Tom Trago    “Night Voyage Tool Kit”
Byetone    “Symeta”
CV313    “Standingstill”
Deadmau5    “2012 Re-Edits (Green Vinyl)”
Demdike Stare    “Elemental 1 & 2 (4×12″)”
Digid    “Submerged EP”
DJ Duke    “Blow Your Whistle”
D’Marc Cantu    “Fallen  (2LP)”
Function    “Ember”
Green, Camilla    “Out Of Business”
Joker    “The Vision Instrumentals”
Kaspar    “Ode To The Ancients EP”
Linkwood    “Secret Value”
Locussolus (Harvey Pres)    “Tan Sedan (With Com Truise Remix)”
Milano    “The Fall (With Untold Remix)”
Mind Fair    “Kerry’s Scene (With Legowelt Remix)”
Monitors, The    “Control / Protection”
Nilsen, BJ    “Vinyl”
OVR    “Live In London”
Pacific Blue    “PCB 01 Remixes (Silent Servant, Rrose)”
Pillowtalk    “Far From Heaven”
Raiders Of The Lost ARP    “On And On”
Recondite    “Plangent #003”
Redhinho – Sibian & Faun    “Stay Together / I’m Sorry”
Redshape    “On Da Floor EP”
Ripperton    “City Lights (Featuring Van Hai)”
Rozzo    “Meta Tracks Vol. Three”
Shifted    “Telic / Solus / Image/Channel”
Tyson    “After You’re Gone (Remixes)”
VVV    “Across The Sea (2LP)”
Young Hunting    “The Night Of The Burning”

7″s
______________________
Mugwumps “Down”
Ssssnakes / Slow Death
Riptides / Queers
Riptides / Dwarves

CDs
______________________
Atlas Moth “An Ache…” (Back in stock!)
Black Keys “El Camino”
Forest Swords “Dagger Paths”

Book
_____________________
Murder In The Front Row

Reviews
_____________________

Crone Endless Midnight CD

(Translation Loss/Waylon Recordings)
This project is from former Isis bassist Jeff Caxide, along with several other band members helping with everything from the instrumentation to the artwork and layout. The result is a radical departure from a “metal” sound, instead focusing on rich, darkly beautiful electronic/drone soundscapes. Opener “What You Dream Of” is built around a sensual synth endless melting over a galaxy speckled with stars burning brightly. “Ghost City” is a bit more chilling, with a looping, mechanical-sounding sample simulating a barren atmosphere; however, it eventually returns to the soothing, strangely uplifting nebula essence of the previous track. “The Silver Hammer” sounds like a full-day trip through the vast, dark wilderness, and “Cellar Holes From A Lifetime Ago” feels like a morose, introspective late-night walk through a deserted city of the future. The title track closes the album with more celestial ambience, sweeping electronics, and thick, resonant guitar plucking. As distressing as an “endless midnight” concept may sound, this album doesn’t aim to make listeners feel downtrodden. Rather, it’s a step forward in songwriting maturity – an unexpectedly mellow journey through the darkest caverns of the mind.
[Reviewer: Mark]

Spazz La Revancha [Reissue] LP

(625 Thrash)
Here’s the second LP in a series of long out-of-print Spazz reissues; Crush Kill Destroy was re-released last December and Dwarf Jester Rising is coming back in the future, though when exactly is unknown. Originally released on the now-defunct Sound Pollution label in 1997, this record is another great example of how Spazz made the powerviolence genre fun. The endlessly buzzing guitar, rapid-fire drumming, and distinct floor-shakingly low-tuned bass was mixed with all three members’ shared vocal shouting – the result was a refreshingly intense-yet-tight sound. They strike the perfect balance between the unique fury of both hardcore punk and grindcore. Their razor-sharp wit remains strong, with poseur bashing, kung fu referencing, and Satan worshiping. There isn’t much more that needs to be said – these guys were smart enough to make something truly unique-sounding in a sea of similar-sounding bands.
[Reviewer: Mark]

Tomorrow: 2 Shows

Wednesday 12/28/2011 2 Shows at Redscroll
Tomorrow we have two events that you should check out.

 At 1PM there will be a free acoustic in store set by Connecticut’s
Make Do And Mend. The first 50 will also receive a gift bag that comes
with a wooden MDAM CREW dog tag. So get here early!
At 8PM, we bring you a night of noise performances by Different
Dentist, Reviver, & Toynbee Idea. FYI: Different Dentist is the solo
material by my brother and founding member of the Redscroll empire;
M.D. This will be his only east coast appearance before he heads back
to Oakland, CA to continue his work with Ratskin Records and Styrofoam
Sanchez.