We’re back with our weekly Manic Presents Redscroll Blog! Here’s all the exciting announcements from this week! Just announced at Palace Theater in Waterbury – Brian Wilson (founding member of The Beach Boys) & The Zombies bring their Something Great from ‘68 Tour on Friday (9/27). At Wall Street Theater in Norwalk, Grammy award-winning bluegrass band The Infamous Stringdusters on (11/13). Finally, at Space Ballroom – Bay Area rockers Midnight North (feat. Grahame Lesh – son of Grateful Dead bassist Phil Lesh) on Saturday (7/20), Austin, TX pop artist Max Frost on Saturday (8/17), and Anti-Folk artist Kimya Dawson on (9/17)! Don’t forget to grab your tickets to these great shows!
This week’s show schedule begins FRIDAY (6/7) with rock legends Blue Öyster Cult at College Street Music Hall! The weekend continues on Saturday (6/8) with Brooklyn-based power pop quartet Charly Bliss at Space Ballroom with Emily Reo and on Sunday (6/9), Phoenix doom metal Spirit Adrift plays Space Ballroom with a stacked lineup feat. High Command, Immortal War, and Ore Miner! Synthpop outfit Moon King plays Cafe Nine on Monday (6/10) with Falconeer as part of our weekly Manic Monday series! Lastly, Blonde Redhead plays a special intimate show at Space Ballroom on Wednesday (6/12) with Ludovic Alarie! Enjoy your weekend and check out these awesome shows!
CONTEST TIME! Enter for a chance to win a pair of tickets to Blonde Redhead at Space Ballroom on Wednesday, June 12th!
Enter here: https://forms.gle/
Keep an eye out for more announcements and we’ll see you back here next Thursday!
$35-$75/All Ages/Doors at 7:00PM
College Street Music Hall – New Haven
INFO: For over four decades, Blue Öyster Cult has been thrilling fans of intelligent hard rock worldwide with powerful albums loaded with classic songs. Indeed, the Long Island, NY-‐based band is revered within the hard rock and heavy metal scene for its pioneering work. Blue Öyster Cult occupies a unique place in rock history because it’s one of very few hard rock/heavy metal bands to earn both genuine mainstream critical acclaim as well as commercial success.
The band is often cited as a major influence by other acts such as Metallica, and BÖC was listed in VH1’s countdown of the greatest hard rock bands of all time.
Upon the release of BÖC’s self-‐titled debut album in 1972, the band was praised for its catchy-‐yet-‐heavy music and lyrics that could be provocative, terrifying, funny or ambiguous, often all in the same song. BÖC’s canon includes three stone-‐cold classic songs that will waft through the cosmos long after the sun has burned out: The truly haunting “(Don’t Fear) The Reaper” from 1976’s Agents of Fortune, the pummeling “Godzilla” from 1977’s Spectres and the hypnotically melodic “Burnin’ for You” from1981’s Fire of Unknown Origin. Other notable BÖC songs include “Cities on Flame with Rock and Roll,” “Then Came the Last Days of May,” “I Love the Night,” “In Thee, “Veteran of the Psychic Wars,” “Dominance and Submission, “Astronomy,” “Black Blade” and “Shooting Shark.”
The intense creative vision of BÖC’s original core duo of vocalist/lead guitarist Donald “Buck Dharma” Roeser, and vocalist/rhythm guitarist Eric Bloom are complemented by Richie Castellano on guitar and keyboards, and the longtime rhythm section of bass guitarist Danny Miranda, and drummer Jules Radino.
We realized we’re a ‘classic rock’ band. That’s what we are, that’s what we do best, that’s what we know. The band members are proud of BÖC’s classic sound, and pleased the band is creating vibrant work for disenfranchised music lovers who don’t like the homogenized, prefabricated pop or sound-‐alike, formulaic rap-‐metal, which monopolizes the radio airwaves and best-‐seller charts.
BÖC has always maintained a relentless touring schedule that brings new songs and classics to original fans and, as Bloom puts it, “teen-‐agers with green hair.
TICKETS AVAILABLE HERE: https://ticketf.ly/2FUmSPy
$15/All Ages/Doors at 7:00PM
Space Ballroom – Hamden
INFO: “I don’t know why it’s easiest for me to frame the darkest lyrics in the context of upbeat songs,” says Charly Bliss’ Eva Hendricks. “It’s completely instinctual and not something I ever plan out. It sort of mirrors how I am, and maybe it’s a way of protecting myself. IAlso, in my opinion, the two best emotional releases are crying and dancing, so it makes sense to me to marry the two.”
That combination is the core of Charly Bliss who, on this record, embraced both sides of that equation more than ever before. Challenging each other to be exposed, to be seen for who they really are as people, and then to double down on the sound that emerged from that process is the story of the band’s evolution from the scrappy upstarts who made 2017’s brash punk LP Guppy, to the confident, assured artists behind the comparatively dynamic, unapologetically pop Young Enough. “We definitely go to different places on this one,” says bassist Dan Shure. “But it still sounds like us. It’s still fun.” As they started writing, they tapped into their mutual love of pop music. “You know, bangers? Songs that just stick with you for a really long time,” Dan says. In particular, tThe expansive but gritty title track and the synth-driven, emotive song “Chatr Room” served as key points of reference for the overall direction of the album.
But for Eva, the path to these moments of exaltation was fraught. Much Many of the singer’s Young Enough lyrics were inspired by a past abusive relationship, one that had Eva – as such relationships are designed to do – doubting herself on many levels. Songwriting, which “wasn’t something that I grew up thinking I could do,” as she puts it, became a new source of respite, and, eventually, of redemption. “You go through experiences of loss or extreme pain and you just keep moving,” Eva says. “You look around and wonder, how has the world not stopped? But it’ is also powerful. I’m still here, I’m not a person who is ruled by pain, I still like who I am.” If the singer had any lingering doubts about her craft, they’re gone now. “For a long time I understood my ability to write songs as like, OMG another one just fell from the sky what luck – another one will never come again!” Eva says. “Now I know, I’m meant to be doing this. And I accept and honor that.”
Exposing oneself emotionally, even to close friends and creative collaborators, is never easy — especially when one of those people is your brother. Growing up in Connecticut, it was their parents’ “wildest dream,” as Eva puts it, that she and Sam, the band’s drummer, would wind up playing in a band together, so of course they avoided it for as long as possible. The Charly Bliss origin story begins instead at performing arts summer camp, where guitarist Spencer Fox first met Dan. Eva and Dan also knew each other also through musical theater; they did shows together as pre-teens. “We are super hardcore,” jokes Spencer.
It was Spencer who first saw in Eva the possessed energy the bands’ fans are so drawn to, this tornado of joy and rage and celebratory sorrow spinning out to mesmerizing effect on stage night after night. “It was just there,” he says. “It was obvious.” He eventually asked Eva out of the blue if she’d been writing songs, which shocked her a little; dudes didn’t usually care. “I would always ask the guys at my high school who played music if we could start a band or write or do something together, but they pretty much ignored me,” she remembers. “But Spencer totally encouraged me.” Before long, the pair was writing together, and they called on Eva’s big brother to join on drums. “It was kind of like, oh why didn’t we do this a long time ago,” Sam says.
TICKETS AVAILABLE HERE: https://ticketf.ly/2tkha0o
$14 ($12 adv)/All Ages/7:00pm Doors
Space Ballroom – Hamden
INFO: While Spirit Adrift made many take notice with their debut album “Chained To Oblivion”, it is on “Curse Of Conception” their stellar second album, and first with new label 20 Buck Spin, that the band has taken a giant leap forward in songwriting prowess, production and confidence. From the Metallica / Priest like opening moments of ‘Earthbound’ to the epic closing of “Onward, Inward”, Spirit Adrift are aiming sky high with burning focus and peak vigor.
The aforementioned ‘Earthbound’ is a standard bearer for album-opening songcraft, leading into the colossal title track, a grungy and twisting radio-ready crawler. ‘To Fly On Broken Wings’ & ‘Graveside Invocation’ continue to show that any of the eight tracks on ‘Curse Of Conception’ could stand as featured singles. Throughout the duration brick heavy riff assembly, somber southern atmospherics and grand melodies entwine flawlessly into perfect metallic majesty, exemplified succinctly and totally in the instrumental ‘Wakien’ for example.
With a host of fantastic albums released by their contemporaries lately, Spirit Adrift has taken their craft to an ascendent new level on ‘Curse Of Conception’ earning their rightful place among the top tier of modern metal bands clawing their way above and beyond the underground scene. Now more than at any time metal has become the lifeblood of rock music and Spirit Adrift offer ‘Curse Of Conception’ as an embodiment of that perseverant vitality.
TICKETS AVAILABLE HERE: https://ticketf.ly/2G2LrrO
FREE WITH RSVP (or $5 at the door)/21 and over/Doors at 7:00PM
Cafe Nine – New Haven
INFO: Moon King is the synthpop project of Toronto-born singer & producer Daniel Benjamin. In the early 2010’s Daniel was part of the flourishing electronic music scene in Montreal, performing as a touring musician with Grimes, Sean Nicholas Savage and Doldrums, all while beginning to write & produce his own music. A 2016 move to Detroit and immersion in that city’s vibrant dance music and DJ culture soon began to influence his own recordings, moving towards underground disco and synthpop and culminating in “Hamtramck ‘16”, his 2017 debut release for Montreal label Arbutus Records (TOPS, Sean Nicholas Savage). He’s toured extensively in North America, Europe and the UK, with a new full length anticipated for 2019.
RSVP HERE: https://ticketf.ly/2txm6PD
$35/All Ages/7:00pm Doors
Space Ballroom – Hamden
INFO: Not many bands can handle very long careers and never stop evolving and actually, keep on exploring, from record to record. Blonde Redhead deserves a place in this category. In 25 years, the acclaimed New York based trio went from the noise rock of the early years to the refined dream pop of “Misery Is A Butterfly”, passing through the sensual electronic textures of “Barragán” in 2014, before reaching the melancholic romantic sound of “3 o’clock” EP..
Formed in 1993 by Kazu Makino and twin brothers Simone and Amedeo Pace, the band challenges itself with each recording situation and the results have been stunning every time. Their music is always inspired by the same emotions, but their tastes and the ways they choose to execute those emotions are constantly evolving.
With Kazu and Amedeo on guitars and vocals, Simone on drums, and Takahashi on bass, the band’s chaotic, artistic rock caught the attention of Sonic Youth drummer Steve Shelley, who produced and released the band’s debut album, Blonde Redhead, on his Smells Like Records label in 1995. Shortly after the album’s release, Takahashi left the band. The remaining members continued as a trio, releasing a second album, La Mia Vita Violenta, on Shelley’s label in 1995.
For their 1997 release, Fake Can Be Just as Good, recorded for Touch & Go, the trio was joined by guest bass player Vern Rumsey from Unwound. By 1998, the band eliminated bass and scaled back to guitars, drums, and vocals for In an Expression of the Inexpressible. Melody of Certain Damaged Lemons and the Mélodie Citronique EP followed two years later.
The song “For the Damaged Coda” released on the album Melody of Certain Damaged Lemons, was used in an episode of Rick and Morty series and gained over 33 million views on YouTube.
The band’s first album for 4AD, Misery Is a Butterfly, was released in spring 2004. For 2007’s 23, the group opted for a mix of dream pop and delicate electronic textures. Three years later, Blonde Readhead delivered Penny Sparkle, a more stripped-down, even more electronic-leaning set of songs the band recorded in New York and Stockholm with Alan Moulder, Van Rivers and the Subliminal Kid. In 2014, the band returned with Barragán, featuring production from Drew Brown (Beck, Stephen Malkamus, Radiohead).
The band revisited its early days in 2016 with the Numero Group box set Masculin Feminin, which collected Blonde Redhead and La Mia Vita Violenta along with demos, singles, and radio performances from that era. That year also saw the release of Freedom of Expression on Barragán, a collection of Barragán remixes including contributions by Deerhoof, Van Rivers, Nosaj Thing, and Connan Mockasin.
Blonde Redhead returned with new music in 2017 in the shape of the EP 3 O’Clock, which they released on their own Asa Wa Kuru Records.
The band is now working on a new album, while Kazu Makino is going to launch her first solo project.
TICKETS AVAILABLE HERE: https://ticketf.ly/2Cq9oqU
$20/All Ages/7:00pm Doors
Space Ballroom – Hamden
INFO: In June of 2017, Midnight North released their third studio album: Under the Lights. On this full length record, Midnight North left it all on the court. Recorded by David Simon-Baker (Los Lobos, ALO, Jackie Greene, Mother Hips) at the Greene Room and Allegiant Studios, Under the Lights features their 11 best new tunes. Expect flares of country on tracks like “The Highway Song” and “Greene County”, tinges of soul on the likes of “Back To California”, but mostly good solid rock and roll. With strong melodies and stronger harmonies, for this band it comes down to one thing: the song.
Immediately after their last studio release, 2015’s Scarlet Skies, Midnight North – fronted by lead songwriters Elliott Peck & Grahame Lesh with lush Hammond B3 organ, lead guitar, and harmony work from Alex Jordan and stomping bass lines from Connor O’Sullivan – began touring the country in earnest, visiting the East Coast and the Midwest for the first time in Summer 2015. The band wrote the majority of Under the Lightsin the following months, and the lyrical road themes – the initial excitement, the longing for home, and the inherent need to keep moving – shine through.
“Under the Lights is the perfect title for this collection of songs,” said O’Sullivan. “These songs and lyrics are about being a band of musicians on the road away from home. Songs literally performed and tested under the lights at countless venues across the US.”
Last year, while work in the studio continued, the band’s stream of amazing live shows and festival appearances sped by as the band jammed with heavyweights like Bob Weir, Phil Lesh, Tom Hamilton, Mihali Savoulidis, and more. Hitting the road night after night and building their fan base has proved a lot of fun and every time they come back to a city the venues and crowds get bigger while the songs get tighter. “On the road you have an opportunity to dig into what the band is capable of and learn where your limits as a group are and aren’t,” said Jordan. “It was a wonderful opportunity to capture a sound on this album that is identifiably our own.”
In addition to all the touring, Midnight North is on year five of holding down Sunday nights at Terrapin Crossroads in San Rafael, CA. To celebrate the occasion, they released a free live album, Live at Terrapin Crossroads in 2016, where Relix Magazine took a shine to “the group’s powerful three-part harmonies.” Performing weekly for a hometown crowd allows a chance to continuously test new material. “I feel like I’ll come to the band with this raw idea and watch it totally come to life,” said Peck.
2017 continued the growth for Midnight North, as the exciting release of Under the Lights helped point the way for more and more fans to discover the band. “These songs tell our story, at least up to this point,” said Lesh. “Our job is to sing you these stories as honestly as we can and transport you into our world for an hour or two.”
TICKETS AVAILABLE 10AM FRI 6/7: https://ticketf.ly/2K0RIas
$15/All Ages/Doors at 7:00PM
Space Ballroom – Hamden
INFO: “I finally had the balls to be vulnerable,” says Frost, who once in LA teamed up with Michael “Fitz” Fitzpatrick (Fitz and The Tantrums) and began constructing the songs that would comprise Gold Rush, his major-label full-length debut LP, executive produced by Fitz, with major help from Mick Schultz (Rihanna, Jeremih). Reflecting on the personal and creative journey he’s undergone in the past year, Frost says he’s finally freed himself of self-imposed restrictions and become “one-hundred percent honest” with himself as both a human being and songwriter. “I stopped trying to control how cool my music came across and just be myself,” he says. “I had to let it be open and direct and in-your-face.”
Now the 26-year-old singer, multi-instrumentalist and dynamic live performer, who in a few short years has seen his star rise in a major way thanks to tours with everyone from Twenty One Pilots, Panic! At The Disco, Fitz and The Tantrums, and Gary Clark Jr., being featured on a recent DJ Snake single and having four consecutive songs go to Number One on HypeMachine, says he’s never been adamant about pushing the limits of what constitutes pop music. “I definitely care way less now about trying to be niche,” says the quick-witted singer behind the infectious, groove-anchored new single “Good Morning.” “I’ve realized that I want to make stuff that a lot more people can relate to and can be affected by. If you’re just trying to make these weird songs and if you’re consciously trying to be eclectic,” he adds, “I think that’s as cheesy as consciously trying to be commercial.”
Frost admits there was a time he tried to talk himself out of making pop music. “I used to purposely avoid putting hooks in a song,” says the musician whose soul-infected sonic gems have soundtracked a global Beats by Dre campaign and been featured in television shows including “Power” and “Brave,” “But honestly I almost feel like you’re going against biology if you’re trying to make music that doesn’t have hooks. Because if you boil it down it’s like, what’s a hook?’ It’s something that hits your brain in this specific way.”
Creative freedom, and the ability to write and record music driven by feeling and instinct, has always been central to Frost’s musical mindset. Playing the drums and guitar by age eight, and typically the youngest members of the diverse bands he was in as a teenager — everything from bluegrass to blues and jazz to hip-hop — Frost says it was the emotional connection to the music that forever drove his passion. “It never really occurred to me that music was something I was into growing up,” he admits, “It was just something that was. So I try to stay committed to that original place of no ego. Of music just being this beautiful benevolent thing.”
By the time he was enrolled at the University of Texas-Austin, he was obsessively writing and recording R&B-and-hip-hop informed pop music in his dorm room. By then he’d decided a career in music, no matter how uncertain, was his path forward. “White Lies,” though, changed everything: nearly one year after first uploading the falsetto-strewn song to SoundCloud, prominent blogs began to share it and a palpable buzz began to develop around it. Within weeks the song hit Number One on HypeMachine’s “Most Popular Tracks on Blogs Now,” and led to Frost signing his deal with Atlantic Records.
“That song broke doors down,” Frost recalls, still seemingly amazed at how fast his life was altered by it. “I went from playing a South By Southwest showcase where nobody was there to signing this huge record deal.”
But rather than revel in his newfound success, Frost doubled down on refining both his songwriting and live performance chops. He speaks passionately about continually tinkering with his already notoriously high-energy one-man live show, one that typically finds him bouncing around the stage, playing every single instrument himself, whipping his fans into a manic fervor. “I’ve tortured myself to invent it to where it is now,” he says of his live show.
TICKETS AVAILABLE HERE: https://ticketf.ly/2JSTPx9
$15/All Ages/Doors at 7:00PM
Space Ballroom – Hamden
INFO: Kimya Dawson is a celebrated writer and singer of songs and an all-purpose force for good in the world. First making her artistic mark as half of the antifolk duo the Moldy Peaches, Kimya soon turned to solo work, where the twisted punchline poetry of the Peaches was deployed in the service of Dawson’s gem-like personal narratives, creating such singular works as I’m Sorry That Sometimes I’m Mean (2002), My Cute Fiend Sweet Princess (2004), Hidden Vagenda (2004), Remember That I Love You (2006), and Thunder Thighs (2011), and earning her a 2009 Grammy for her work on the soundtrack for the film Juno. More recently, she joined forces with hiphop artist Aesop Rock to form the Uncluded, whose debut record Hokey Fright was released to critical acclaim in 2013. She frequently tours the world, often with her kid Panda by her side.
TICKETS AVAILABLE 10AM FRI 6/7: https://ticketf.ly/2QDJbel
$78-$125/All Ages/Doors at 7:00PM
Palace Theater – Waterbury
Brian Wilson: Legendary songwriter Brian Wilson began his career as a teenaged founding member of The Beach Boys, who signed with Capitol Records in July 1962 and released their first album, Surfin’ Safari, that same year. The band’s initial surf-rock focus was soon broadened to include other themes. Wilson’s innovative vocal and instrumental arrangements for major hits including “I Get Around,” “California Girls,” “Wouldn’t It Be Nice,” “God Only Knows,” and the No. 1 smash “Good Vibrations” established The Beach Boys as America’s preeminent band of the 1960s.
The Zombies: Iconic British psychedelic pop legends, The Zombies, have returned to celebrate their long-awaited induction into The Rock & Roll Hall of Fame. After receiving their 4th nomination in 5 years, the support for The Zombies’ induction among the public and their peers was undeniable — the band placed 4th in the public online poll with over 330,000 votes.
Never content to only look back, The Zombies are also touring in support of their latest Billboard-charting album, Still Got That Hunger, lead by founding and current members, vocalist Colin Blunstone and keyboardist Rod Argent, alongside Steve Rodford on drums, and renowned session guitarist Tom Toomey. New member, Søren Koch, joined the band following the untimely passing of The Zombies’ beloved bassist Jim Rodford (formerly of ARGENT and The Kinks) in early 2018.
TICKETS AVAILABLE 10AM FRI 6/7: https://purchase.tickets.com/
[TICKETS FOR THIS SHOW NOT AVAILABLE AT REDSCROLL]
$22-$35/All Ages/Doors at 7PM
Wall Street Theater – Norwalk
INFO: The Infamous Stringdusters rise to new heights on their ninth full-length record Rise Sun. For the album, the GRAMMY® Award-winning quintet—Andy Falco [guitar], Chris Pandolfi [banjo], Andy Hall [dobro], Jeremy Garrett [fiddle], and Travis Book [double bass]—expanded their signature sound by perfecting their seamless fusion of All-American-bluegrass and rock.
Once again sail into uncharted territory moored only by their expressive patchwork of All-American bluegrass threaded together with strands of rock, jazz, funk, country, old-time, and more.
As they approached this latest body of work, the group’s ambition matched their outsized creative curiosity.
“Rise Sun was sparked by the feeling of wanting something better for the world—more love, more awareness, and more compassion,” says Hall. “It’s a message of taking care of each other, our planet, and ourselves. We all shared this feeling as evidenced by the songs we brought to the project. It’s the feeling of a rising sun as opposed to a dark night. Sometimes a message of hope is less popular than one of despair, but it’s much-needed nevertheless.”
It’s also a message that 13 years, eight studio projects, and nearly 1,000 shows prepared the boys to properly present.
The Infamous Stringdusters stand out as the rare group who whose dynamic musicianship can be showcased with contemporary artists on The Late Show with Stephen Colbert one night and jamming on the legendary Red Rocks Amphitheatre alongside The Grateful Dead’s Phil Lesh the next.
Engendering a sense of impassioned fandom, they band have attracted a faithful audience that continues to grow. Moreover, their powerful music and performances paved the way for a GRAMMY® Award win in the category of “Best Bluegrass Album” for 2017’s Laws of Gravity.
When it came time to record what would become Rise Sun, they pushed themselves to evolve once more.
“Rise Sun is the latest chapter in the progression of our sound,” says Pandolfi. “It’s been a long arc that includes evolution on all fronts—writing, arranging, performing, and maybe most importantly, growing as humans who have more to say as the journey rolls on. New albums are the time when we write and introduce our strongest original material. On our last release Laws of Gravity, we really started to hit our stride with recording live in the studio. Rise Sun is another big step in that direction.”
For the first time, the band chose the song order before actually recording. Additionally, they maintained that order throughout the process, recording the songs in sequence which resulted in a natural flow. This choice, “gives it the feeling of a story as you listen down,” says Hall. It represented a moment of collective confidence.
“We self-produced the last album, so we felt validated in a sense that our instincts were sound,” adds Book. “We came into this one with some confidence. Any doubts about our band or our mission had dissipated. What remained was a deep sense of purpose and love.”
“The GRAMMY® put some high-octane gas in our tanks as well,” grins Garrett. “We also wanted to rise to the challenge of making a follow-up project worthy of what we had done in the past.” The Infamous Stringdusters introduce the album with the handclap-driven gallop of the title track “Rise Sun.” High energy banjo powers an uplifting and undeniable refrain that immediately shines.
“It’s a hopeful anthem,” Book elaborates. “The sun is rising, and the light is overtaking the darkness. The idea for the melody, inspired by Southern gospel music, came to me driving out of the mountains into Georgia from my home in North Carolina. When we wrote it, I was feeling a deep sense of hope for humanity that the sun will rise again.”
Then, there’s the hummable instrumental “Cloud Valley,” which exudes a sci-fi spirit of wonder via sonic intricacy. “Science fiction can transport you to a place of deep imagination,” says Pandolfi. “We wanted to generate a soundscape for an imaginary mystical setting. It really came alive when we all got together.”
Everything culminates on a heartfelt send-off with “Truth and Love.” Its delicate musical backdrop transmits an important statement for The Infamous Stringdusters.
“I wrote that a few years ago and brought it back now, because I feel like the message has become more relevant today,” Falco states. “The world is polarized. Everything is so extreme, and partisan politics have become a culture war. The song is a reminder of what’s truly important in life—seek the truth, find your love, look up high, and aim above. Life is short, so keep your eye on what’s important while you’re here.”
In the end, that’s precisely what The Infamous Stringdusters do on Rise Sun as they boldly welcome yet another new day, new phase, and new chapter.
“We’re a brotherhood, but that family extends beyond the band even,” Falco leaves off. “Our music gives us an opportunity to bring some light in a world that can be dark sometimes.”
TICKETS AVAILABLE 10AM FRI 6/7: https://ticketf.ly/2MtJb27
**Tickets are available for all these shows in the shop (cash only for ticket sales) without the online fees. **