28th Of December 2013 Update of New and Key Restocked Items + Reviews
at Redscroll Records

LPs & 12″s
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Actress    “Grey Over Blue / Wee Bey”
Beach Fossils    “Beach Fossils” (+ D/L)
Blue Sky Black Death    “Glaciers” (Gatefold)
Bowie, David    “Love Is Lost (Hello Steve Reich Mix James Murphy For The DFA)”
Breakdown    “Runnin’ Scared”
Carpenter, John    “Halloween: Original Motion Picture Soundtrack” (2xLP At 45RPM)
Crash Of Rhinos    “Knots”
Growlers, The    “Hung At Heart” (+ D/L)
Kasher, Tim    “Adult Film” (+ D/L)
Kid Dynamite    “Kid Dynamite”
Kid Dynamite    “Shorter, Faster, Louder”
King Khan And The Shrines    “Idle No More” (Gatefold + D/L)
Mind & Matter    “1514 Oliver Avenue (Basement)”
Paradis    “Hemisphere B/W Je M’Ennuie”
Sounds, The    “Weekend” (+ D/L)
Suicide Machines, The    “Destruction By Definition”
Suicide Machines, The    “Battle Hymns”
Swearin’    “Surfing Strange”
Toy Love     “Toy Love” (2LP + D/L)

7″s
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Glocca Morra / Summer Vacation    “Glocca Morra / Summer Vacation”
Vaccine    “No Faith”

CDs
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Beyonce    “Beyonce” (Visual Album CD + DVD)
Haim    “Days Are Gone”
Hatebreed     “Under The Knife”

Reviews
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Eluvium Nightmare Ending

(Temporary Residence Ltd.)
I was impressed when I heard Matthew Cooper’s somber score for the film “Some Days Are Better Than Others” back in June 2011, so I rightfully expected the same sort of introspective ambience on his seventh full-length as Eluvium. This double-album turned out to be a perfect fit as I drove through a lightly falling blanket of snow: meticulously crafted arrangements of piano, strings and various electronic drones create an incredibly rich, full and well-produced ambient sound. My favorites include piano-based songs such as “Don’t Get Any Closer” (which sounds like it’s actually suggesting the opposite) and the friendly, melodic “Caroling;” on the second disc, I particularly liked the grand room-filling “Chime” and, in probably my favorite, the richly flowing 80s-synth tapestry of “Covered In Writing.” Relaxing closer “Happiness” surprises with the album’s only vocals: Ira Kaplan from Yo La Tengo provides some delicately delivered lyrics before the music transitions into with what sounds like a church organ, radiating into drone and piano.
[Reviewer: Mark]

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