22nd Of July 2011 Update of New and Key Restocked Items
at Redscroll Records

LPs & 12″s
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Allen, Tony (Plays With Afrika 70 And The Afro Messengers)    “Afro Disco Beat”
Arrington, Steve    “(I Be) Goin’ Hard (Music: Dam-Funk. Vocals: Steve Arrington. AKA The Invade)”
Autre Ne Veut (ANV)    “Body”
Barwick, Julianna & Ikue Mori    “FRKWYS 6 (In Collaboration With The Sound Of White Columns)”
Brain Idea    “Cosmos Factory (Ltd. Ed + D/L)”
Crystal Antlers    “Two-Way Mirror (+ CD; Ltd. Ed.)”
Daniel Striped Tiger    “No Difference”
Face To Face    “Laugh Now, Laugh Later”
Figure Four    “Suffering The Loss”
Fire! With Jim O’Rourke    “Unreleased? (+ D/L)”
Flaherty, Paul / Bill Nace    “No, The Sun”
Ginsberg, Allen / William Blake    “Songs Of Innocence And Experience (By William Blake, Tuned By Allen Ginsberg)”
Golightly, Holly / Dan Melchior    “Desperate Little Town”
Kirby, Leyland    “Intrigue & Stuff Volume 2”
McDaniels, Eugene    “The Mack (OST; Max Julien, Richard Pryor, Roger Mosley)”
MV & EE    “Country Stash”
Nurse With Wound    “Salt: Music From The Horse Hospital”
Pala    “We Don’t Exist”
Part Time    “What Would You Say? (Ltd. Ed. 2xLP + D/L)”
Radiohead    “Morning Mr Magpie / Bloom “
Seasick Steve    “You Can’t Teach An Old Dog New Tricks”
Seraphim    “The Light In The Distance”
Shelter    “Eternal”
Stockhausen, Karlheinz    “Mantra (Yvar Mikhashoff, Rosalind Bevan, Piano; Ole Orsted, Electronics) (/500)”
Suicide Silence    “The Black Crown”
Toxic Holocaust    “Conjure And Command (Ltd. Ed. Colored Vinyl)”
Various Artists    “The Roots Of Chicha: Psychedelic Cumbias From Peru (2xLP; 23 Tunes From Lima And The Amazon 1968-1981; 11×11 20 Page Booklet)”
Yankovic, Weird Al    “Alpocalypse”

Electronic 12″s
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Bass Clef    “Rollercoasters Of The Heart / So Cruel”
Drums Of Death    “Black Waves EP”
Funkbias    “Last Forever”
Miles    “Facets”
Moby    “Mistake”
Mount Kimbie    “Carbonated (2×12″)”
Photek    “Aviator/Totem”
Speedy J    “Shoegaze”
Various Artists    “Matthew Dear Body Language 7: Get Physical Music”
Various Artists    “Back And 4th: A Hotflush Compilation (3×12″) (Sepalcure, Boxcutter, Boddika, Dbridge, Scuba, Falty DL, Sigha, George FitzGerald, Incyde, Roska)”

HIP HOP
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Bad Meets Evil (Eminem & Royce Da 5’9″)    “Hell: The Sequel”
Del The Funky Homosapien    “Golden Era (2xLP)”
Mr. Lif    “Mo’Mega”

10″
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Fennesz    “Seven Stars”

7″s
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Choke Up “Spent”
Colbert, Stephen
Count Vertigo “Mutant”
Crisis Of Conformity “Fist Fight”
Grown Ups “Handholder”
Hellhorse “Decade Of Dust”Kamlat”
Just Urbain “EverybodyLoves”
Medeh, OH “
Poison Planet “Demo (Import)”
Revenge “Frustrations”
SC “Get Out Now”
Young Identities “New Trends”

CDs
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Earth Crisis “Neutralize…”
Hail! Hornet “Desperse The Curse”
Skullflower “F*cked On Pile Of Corpses”
Toxic Holocaust “Conjure And Command”

Reviews
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Human Eye They Came From The Sky LP
(Sacred Bones Records)

These guys are nuts. Listening to this album is like being trapped in a sci-fi B-movie that’s been boiled down so the boring parts are gone and the remaining essence is total insanity. Oh yeah, and there are psychedelic drugs. Lots of them. Opener “Alien Creeps” kicks right into gear with a laser-whooshing space-rock guitar, a light-heartedly foreboding synth line and utterly manic drumming (seriously – I was stunned to see that an actual human is credited with the percussion on this album, since the average person would get sore pretty fast from even air-drumming along.) Thankfully, it does mellow out a bit with songs like the catchy “Impregnate The Martian Queen Pt. 2.” That song is dressed with a curious, extraterrestrial-sounding flicker effect and a feel-good acoustic chord that fits really well in the “drive-in nostalgia” feel, plus the insane instrumentation making punctuated, abrupt returns every now and then. In general, this reminds me of psychedelic, garage and experimental rock, and the endearing “Martian B-movie” lyrical theme fits well into the timeframe those respective genres emerged from. These guys know how to have fun while also taking their work seriously.
[Reviewer: Mark]

Liturgy Aesthethica LP/CD
(Thrill Jockey Records)

It’s tough to imagine a black metal band that sounds like no other black metal band, but in my opinion, Liturgy manage to pull it off. Their style of replacing suffocating darkness with blinding, celestial light (and corresponding lyrical themes) has raised controversy among genre purists. What should really matter is how the music sounds, and with their latest album, Liturgy delivers a truly incredible, unique experience. It feels like soaring through the heavens while immortal beings blast booming, unbelievably intense background music to echo across the universe. Tracks like “Generation” and “Veins of God” clearly show the band’s Lightning Bolt influence, utilizing simple-yet-monolithic guitar-and-bass crunching with unrelenting percussion pounding. Almost every track follows the formula of ethereal guitar/bass tapestries (“Sun of Light” is a fitting example) and stunningly high-BPM drums. Even detours like the simple-yet-complex-sounding and early electronic music-reminiscent “Helix Skull” manage to fit in with the album’s sound. Regardless of whether or not this record should truly be categorized as “black metal,” it’s an incredibly intense, fantastical experience that shouldn’t be overlooked.
[Reviewer: Mark]

Trial …Are These Our Lives? LP

Trial was (is? they’ve been playing shows occasionally) a straight edge hardcore band from Seattle, Washington.This album is one of my all time favorite records. Earlier Trial material, while always having a strong urgent message, sucked musically. I fooled myself when I was a kid that “Through The Darkest Days”  & “Foundation” were killer, but they weren’t. “Are These Our Lives?” on the other hand is a perfect album. Hard driven guitars, fast pounding drums, powerful poetic lyrics, & just enough pretty guitar work to tie it all together. How the hell did Equal Vision let them get away with hiring cello & violin players? I have no idea, but I’m glad they did! A friend of mine had gotten a hold of an advanced copy of this a few weeks before it hit stores (in 1999) and on a road trip to an out of state show we just listened to it on repeat for the entire ride. It never gets old. When they finally played in CT, it was unreal, everyone was so excited that when the drummer started to sound check, everyone started moshing hard, the drummer took his que and kept the high hat rhythm going for a good 30 seconds while the rest of the band raced to be ready to jump into the first song. Certainly one of the best shows of my youth! We got the second repress in a few weeks ago, thanks to Panic Records, which is not only churning out records by great bands (see: The Saddest Landscape), but is also run by Trial guitarist; Timm McIntosh
[Reviewer: Josh]

“Weird Al” Yankovic Alpocalypse LP
(Way Moby / Volcano / Jive Records)

THE ALPOCALYPSE IS HERE!  I have been a “Weird Al” Yankovic fan since I’ve liked music. The first piece of music I remember owning was a copy of “Dare to Be Stupid” on cassette. I can’t tell you how many times I listened to it. I’ve seen UHF probably close to 50 times. Although none of his past albums have been as good as his early material, that doesn’t mean they aren’t good comedy albums. I don’t even really think that’s his fault. He parodies what’s popular at the moment, and there hasn’t really been a ton of good pop music lately. At least not compared to what used to be popular. His original songs have always been pretty catchy, and his token “polka mash up” song on each album are always a highlight for me. Although I don’t care much for who he parodies on this album (Lady Gaga, Taylor Swift, Miley Cirus, B.o.B., T.I.), it’s still enjoyable and there are some good one liners in it. Fun album.
Also, this has the best cover art of any album so far this year.
[Reviewer: Sean]

8th Of July 2011 Update of New and Key Restocked Items
at Redscroll Records

LPs & 12″s
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A Billion Ernies / Informant    “A Billion Ernies / Informant”
A Storm Of Light    “As The Valley Of Death Becomes Us Our Silver Memories Fade”
Alkaline Trio    “Damnesia”
Aoi    “Funnelweb”
Autumn    “Synthesize”
Bon Iver    “Calgary / I Can’t Make You Love Me / Nick Of Time (Bonnie Raitt Cover)”
Borden, Ferraro, Godin, Halo & Lopatin    “RVNG FRKWYS 7 (+ D/L W/ Bonus)”
Broken Water    “Whet (Triangle)”
Buke And Gass    “Riposte”
Caddywhompus     “Remainder”
Canvas    Ashes
Crowley, Aleister    “The Evil Beast”
Deerhoof     “Milk Man”
Disembodied / Brother’s Keeper    “Oxymoron”
Dreams, The    “Morbido”
Eden & John’s East River String Band    “Be Kind To A Man When He’s Down”
Eyehategod    “Take As Needed For Pain”
Foreign Objects    “No Sensation”
Friedberger, Eleanor    “Last Summer”
Fuckin’ Boneshakers, The    “1995 Masterbation Sessions”
Gardens & Villa    “Gardens & Villa (+ D/L)”
Garrincha And The Stolen Elk    “Void”
Guitar Wolf    “SpaceBattleShipLove”
Hawkins, Screamin’ Jay    “The Singles 1954-1957”
Hollywood Rose    “The Roots of Guns N’ Roses”
In Flames    “Sounds Of A Playground Fading”
Integrity    “Detonate World’s Plague”
Interpol    “Try It On”
Khann    “Erode (Ltd. Color + D/L)”
Krieg     “The Isolationist”
Men, The    “Immaculada (Reissue)”
Missing Monuments    “Painted White (+ D/L)”
Motion Sickness Of Time Travel    “Luminaries & Synastry (+ CD)”
Mudboy    Volume IV: This Is Folk Music (Ltd. Ed. + D/L + Poster)”
Newell, Martin    “Songs For … A Fallow Land”
Night Beats    “Night Beats”
Nine Inch Nails    “Pretty Hate Machine”
Noveller    “Desert Fires”
Pala    “We Don’t Exist”
Paperhead, The    “Focus In On… The Looking Glass”
Potter, Grance & The Nocturnals    “Grace Potter & The Nocturnals”
Pulling Teeth    “Funerary (+ D/L)”
Seraphim    “The Light In The Distance (+ D/L)”
Shabazz Palaces    “Black Up (+D/L)”
Tazartes, Ghedalia    “Diasporas (Handnumbered /500)”
Terrors    “Lagan Qord”
Tones on Tail    “Weird Pop”
Trial    “Through The Darkest Days / Foundation”
TSOL    “Code Blue”
Twin Sister    “Vampire With Dreaming Kids + Alternates (+ D/L)”
Victims / From Ashes Rise    “Victims / From Ashes Rise”
Washed Out     “Within And Without”
Wax Museums, The    “Eye Times”
Whitmore, William Elliott    “Field Songs”
Williams, Lucinda    “West”
Zomby    “Dedication”

Electronic 12″s
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Anti-G    “Anti-G Presents Kenje’sz Beatsz (+ D/L)”
Beyonce    “Run The World (Girls) Remixes”
Bibio    “K Is For Kelson”
Blake, James    “Lindisfarne / Unluck” 10″
Blake, James & Airhead    “Pembroke” 10″
Blondes    “Business & Pleasure”
Com Truise    “Galactic Melt (+ D/L)”
Commodo VS Lurka    “Airtight / Gassin”
Daft Punk    “Tron Legacy Part 2 (PIC LP)”
Elgato    “Tonight / Blue”
Exile / Free The “Robots Exile / Free The Robots (Los Angeles 10/10) 10″”
Falty DL    “Make It Difficult”
Four Tet    “Rounds”
Instra:mental    “Leave It”
Joe    “Claptrap / Level Crossing”
Kryptic Minds    “Can’t Sleep (3×12″)”
Machinedrum    “Sacred Frequency”
Negrot, Aerea    “Right Body Wrong Time”
Pangea    “Inna Daze / Won’t Hurt”
Pearson Sound    “Blanked / Blue Eyes”
Peverelist    “Dance Til The Police Come / Fundamentals”
Sigha    “I Am Apathy, I Am Submission”
Soul Clap    “Social Experiment Sampler”
Various Artists    “Hessle Audio: 116 & Rising (3xLP + 2xCD Collection)”
Various Artists    “Werkschau 2 (Bpitch Control)”
Vezelay    “Lyre”
Wat    “Kill Kill EP”

HIP HOP
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Beastie Boys    “Make Some Noise Remixes (Sp. Ltd. Ed.)”

9″s
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O Pioneers!!! / Andrew Jackson Jihad    “Andrew Jackson Jihad / O Pioneers!!!”

7″s
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Aeges “Roaches”
Art Museams “Dancing With A Hole In”
Against Me  “Russian Spies” (BLUE!)
Bad Banana “Cry”
Call To Preserve “Validation”
Daniel Striped Tiger / Teenage Cool Kids
Dark Lion
Have Heart “2003 Demo”
Homewrecker / The Love Below
Nu Sensae / White Lung
Pylon “Cover & Remix”
SOS “I Owe You Nothing”
Withdrawal “Faith Flesh & Blood”
Xerxes “Twins”
Xerxes / Midnight Souls

CDs
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13 & God “Own Your Ghost”
Caretaker  “Empty Bliss
Death In June “Discriminate
Eno, Brian “Drums Between”
Group Bombino “Agadez Volume 2”
Pure X “Pleasure”
Zomby “Dedication”

BOOK
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Slade Vs. The Monkeys: A Collection Of Rock Caricatures
Yeti #11

Reviews
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Canvas Ashes LP

(Get Young Records)

Canvas is a new Connecticut indie rock band that leans heavy on the pop-punk side. Pop punk isn’t a go to genre for me, but any band started by Ryan White (Call It Arson, Stabyou) & Chino (The Distance) is worth checking out. I know they’ve had to work through some line up changes but, it seems things are solid with Mario (Cold Snap) & Justin fleshing out the rest of the band. “Ashes” is 8 songs, 7 originals and a Springsteen cover. I hear bits and pieces of bands like Jimmy Eat World & Thrice, but honestly anything Ryan sings over in his passionate & powerful voice is uniquely his own. I just made a joke to Rick as he was opening a box of records that if Ryan was to sing over the sound of rustling plastic, it would still be good. Not to take anything away from the musicianship, because it’s solid all the way through. It’s also worth mentioning that “Ashes” was released on Get Young Records, which is a label run by CT kids living in Boston, but repping their home state hard with releases by Heavy Breath & Cold Snap coming later this summer.
[Reviewer: Josh]

Unknown Mortal Orchestra Unknown Mortal Orchestra LP/CD

(Fat Possum Records)

There’s an unusual “retro” flavor this album, as if surf, funk, and psychedelic rock evolved together. Opener “FFunny FFrends” has an instantly recognizable “old-school hip-hop” beat with reverb-soaked vocals and sharp guitars licks reminiscent of the 1960s. The description on Fat Possum Records’ site says it best, though, calling it “alien beatnik pop music” echoing “psychedelia and krautrock minimalism with just a hint of gentle weirdness.” The twanging guitars, laid-back vocals and generally fuzzy, “sunny” sound help solidify this album’s influence from that decade. It also sets UMO apart from other recent beat-and-guitar-driven lo-fi acts such as Sleigh Bells, who focus more on slamming, hydraulic-ready blasts. “Nerve Damage!” begins with a bizarre “talking guitar” sound that I’d expect to hear from Black Moth Super Rainbow, but it quickly launches into more traditional garage/surf rock. With other highlights including the acid trip “Jello And Juggernauts” and the curiously dark roller-disco grooving “Strangers Are Strange,” this album is a very unique experience covering more musical ground than a more predictable “indie” record.
[Reviewer: Mark]

Various Artists 116 & Rising 3xLP+2xCD Collection
 

(Hessle Audio)

Hessle Audio has carved itself a niche at the forefront of forward thinking electronics – specifically in what might be called post-dubstep.  Yes, we’re already onto the post era of that.  The internet speeds everything up just that fast.  With James Blake on here it cements the validity of any such term (facetious?).  Let’s move past that (or let me – you are just reading after all).  This stuff is all so solid that I’m not going to be able to comment on each and every track – check the whole list here.  It’s basically the IDM of today.  What Warp was (not to discount what Warp does now, but it’s a completely different animal these days) in its early days is what I might equate Hessle to now (or maybe Planet Mu or somewhere in between; you get it, I hope).  Smart, but not striving to be above your head.  Electronic music for smooth listening as well as occasionally getting down.
[Reviewer: Rick]

Withdrawal Faith, Flesh & Blood 7″

(a389 Recordings)

Canada has once again spit out another great hardcore band. Withdrawal sounds like a more sonically dense early-Ringworm meets Tragedy. The single track on the B-side, the 5+ minute long metal-core epic, “Kingdom Come” is certainly going to have room fulls of sweaty kids crawling all over each other to get a piece of the mic on their upcoming North American & European tours. A389 does it again! Hail Lord Dom!
[Reviewer: Josh]

Xerxes Twins 7″

(Mayfly Records)

Xerxes seem to have a knack for grim-as-fuck artwork, judging by the cover of this 7″ and the split release they have with Midnight Souls. So I was totally thrown when the needle hit the record and I got a more standard emotionally dark hardcore sound ala Modern Life Is War when I was expecting something with more of a Southern Lord bleakness to it. This is still really good though, I like that its pretty raw, cause everything that’s been coming out lately in this style is super polished and over-produced.This will definitely appeal to fans of bands like Defeater & Touche Amore, but I would have to say that Xerxes has more in common with core bands of the early 2000s. Though, I do have a hard time shaking the image of the dude from 300 when I say the name out loud.
[Reviewer: Josh]